
导演:
上映:
1954-11-05
备注:
HD中字
剧情:
Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto there's no place like home is ironically updated to the adult circumstantial adage there's no sex like marital sex. Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the fairy godmother who speaks the last words in the movie.
收起
相关影片
2024
剧情片
捷克
正片
2025
剧情片
美国
抢先版
2003
剧情片
美国
全集完结
2025
剧情片
日本
第1集完结
2025
剧情片
大陆
正片
2024
剧情片
中国大陆
正片
2024
剧情片
美国
正片
2024
剧情片
比利时,法国
安东尼·巴容 阿尔芭·贝露琪 亚历克西斯·曼蒂 塞尔希·洛佩斯 洛朗·吕卡 大卫·穆尔贾 杰基·贝约尔 碧翠斯·黛尔 梅拉妮·杜泰 卢巴纳·阿兹巴尔 Robyn Fischetti 纪尧姆·迪赫姆 费利克斯·马利陶德 Epona Guillaume Alain Bellot Ga?l Maleux Sarah Grosjean Joséphine Darcy-Hopkins Lou Deleuze Jana?na Halloy Fokan Lili-Jane D'Hoop
Du Welz is currently in the midst of producing Maldoror, a film noir–investigative thriller which is
正片
2025
剧情片
中国大陆
正片
2025
剧情片
俄罗斯
米洛斯·比柯维奇 格列布·卡柳日尼 叶莲娜·波德卡明斯卡娅 郑涵一 戈沙·库岑科 雅罗斯拉夫·莫吉尔尼科夫 伊琳娜·阿尔法罗瓦 德米特里·库利奇科夫 黄灏楠 扎加尔·巴德马齐列诺夫 肖恩·科恩克 阿丽娜·阿列克谢娃 叶甫根尼·希迪金 斯韦特拉娜·丘伊金娜 康斯坦丁·切普林 杨子骅 康斯坦丁·米洛瓦诺夫 萨维尔·穆日克扬
影片根据真实历史事件改编。1927年西伯利亚快车,决定苏联和中国未来的秘密文件正在俄罗斯秘密向各地传送。普通乘客中混杂着外国情报人员和真正的暴徒,他们准备为了文件不惜一切代价。一名年轻的红军士兵和一名
正片
2025
剧情片
日本
正片
2025
剧情片
美国 / 韩国
正片
2025
剧情片
加拿大
正片
